Try explaining to a college student that Tet was an American
military victory. You’ll provoke not a
counterargument—let alone an assent—but a blank
stare: Who or what was Tet? Doing interviews about
the recent hit movie 300, I encountered
similar bewilderment from listeners and hosts. Not
only did most of them not know who the 300 were or
what Thermopylae was; they seemed clueless about the
Persian Wars altogether.
It’s no surprise that civilian Americans tend to
lack a basic understanding of military matters. Even
when I was a graduate student, 30-some years ago,
military history—understood broadly as the
investigation of why one side wins and another loses
a war, and encompassing reflections on magisterial
or foolish generalship, technological stagnation or
breakthrough, and the roles of discipline, bravery,
national will, and culture in determining a
conflict’s outcome and its consequences—had already
become unfashionable on campus. Today, universities
are even less receptive to the subject.
This state of affairs is
profoundly troubling, for democratic citizenship
requires knowledge of war—and now, in the age of
weapons of mass annihilation, more than ever.
I came to the study of warfare in an odd way, at the age of 24.
Without ever taking a class in military history, I
naively began writing about war for a Stanford
classics dissertation that explored the effects of
agricultural devastation in ancient Greece,
especially the Spartan ravaging of the Athenian
countryside during the Peloponnesian War. The topic
fascinated me. Was the strategy effective? Why
assume that ancient armies with primitive tools
could easily burn or cut trees, vines, and grain on
thousands of acres of enemy farms, when on my family
farm in Selma, California, it took me almost an hour
to fell a mature fruit tree with a sharp modern ax?
Yet even if the invaders couldn’t starve civilian
populations, was the destruction still harmful
psychologically? Did it goad proud agrarians to come
out and fight? And what did the practice tell us
about the values of the Greeks—and of the generals
who persisted in an operation that seemingly brought
no tangible results?
I posed these questions to my
prospective thesis advisor, adding all sorts of
further justifications. The topic was central to
understanding the Peloponnesian War, I noted. The
research would be interdisciplinary—a big plus in
the modern university—drawing not just on ancient
military histories but also on archaeology,
classical drama, epigraphy, and poetry. I could
bring a personal dimension to the research, too,
having grown up around veterans of both world wars
who talked constantly about battle. And from my
experience on the farm, I wanted to add practical
details about growing trees and vines in a
Mediterranean climate.
Yet my advisor was skeptical.
Agrarian wars, indeed wars of any kind, weren’t
popular in classics Ph.D. programs, even though
farming and fighting were the ancient Greeks’ two
most common pursuits, the sources of anecdote,
allusion, and metaphor in almost every Greek
philosophical, historical, and literary text. Few
classicists seemed to care any more that most
notable Greek writers, thinkers, and statesmen—from
Aeschylus to Pericles to Xenophon—had served in the
phalanx or on a trireme at sea. Dozens of
nineteenth-century dissertations and monographs on
ancient warfare—on the organization of the Spartan
army, the birth of Greek tactics, the strategic
thinking of Greek generals, and much more—went
largely unread. Nor was the discipline of military
history, once central to a liberal education, in
vogue on campuses in the seventies. It was as if the
university had forgotten that history itself had
begun with Herodotus and Thucydides as the story of
armed conflicts.
What lay behind this academic lack of interest? The most obvious
explanation: this was the immediate post-Vietnam
era. The public perception in the Carter years was
that America had lost a war that for moral and
practical reasons it should never have fought—a
catastrophe, for many in the universities, that it
must never repeat. The necessary corrective wasn’t
to learn how such wars started, went forward, and
were lost. Better to ignore anything that had to do
with such odious business in the first place.
The nuclear pessimism of the cold
war, which followed the horror of two world wars,
also dampened academic interest. The postwar
obscenity of Mutually Assured Destruction had lent
an apocalyptic veneer to contemporary war: as
President Kennedy warned, “Mankind must put an end
to war, or war will put an end to mankind.” Conflict
had become something so destructive, in this view,
that it no longer had any relation to the battles of
the past. It seemed absurd to worry about a new tank
or a novel doctrine of counterinsurgency when the
press of a button, unleashing nuclear Armageddon,
would render all military thinking superfluous.
Further, the sixties had ushered
in a utopian view of society antithetical to serious
thinking about war. Government, the military,
business, religion, and the family had conspired,
the new Rousseauians believed, to warp the naturally
peace-loving individual. Conformity and coercion
smothered our innately pacifist selves. To assert
that wars broke out because bad men, in fear or in
pride, sought material advantage or status, or
because good men had done too little to stop them,
was now seen as antithetical to an enlightened
understanding of human nature. “What difference does
it make,” in the words of the much-quoted Mahatma
Gandhi, “to the dead, the orphans, and the homeless
whether the mad destruction is wrought under the
name of totalitarianism or the holy name of liberty
and democracy?”
The academic neglect of war is
even more acute today. Military history as a
discipline has atrophied, with very few
professorships, journal articles, or degree
programs. In 2004, Edward Coffman, a retired
military history professor who taught at the
University of Wisconsin, reviewed the faculties of
the top 25 history departments, as ranked by U.S.
News and World Report. He found that of over
1,000 professors, only 21 identified war as a
specialty. When war does show up on university
syllabi, it’s often about the race, class, and
gender of combatants and wartime civilians. So a
class on the Civil War will focus on the Underground
Railroad and Reconstruction, not on Chancellorsville
and Gettysburg. One on World War II might emphasize
Japanese internment, Rosie the Riveter, and the
horror of Hiroshima, not Guadalcanal and Midway. A
survey of the Vietnam War will devote lots of time
to the inequities of the draft, media coverage, and
the antiwar movement at home, and scant the air and
artillery barrages at Khe Sanh.
Those who want to study war in the
traditional way face intense academic suspicion, as
Margaret Atwood’s poem “The Loneliness of the
Military Historian” suggests:
Confess: it’s my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don’t go out of my
way to be scary.
Historians of war must derive
perverse pleasure, their critics suspect, from
reading about carnage and suffering. Why not figure
out instead how to outlaw war forever, as if it were
not a tragic, nearly inevitable aspect of human
existence? Hence the recent surge of “peace studies”
(see “The Peace
Racket”).
The university’s aversion to the study of war certainly doesn’t
reflect public lack of interest in the subject.
Students love old-fashioned war classes on those
rare occasions when they’re offered, usually as
courses that professors sneak in when the choice of
what to teach is left up to them. I taught a number
of such classes at California State University,
Stanford, and elsewhere. They’d invariably wind up
overenrolled, with hordes of students lingering
after office hours to offer opinions on the battles
of Marathon and Lepanto.
Popular culture, too, displays
extraordinary enthusiasm for all things military.
There’s a new Military History Channel, and
Hollywood churns out a steady supply of blockbuster
war movies, from Saving Private Ryan to
300. The post–Ken Burns explosion of interest in
the Civil War continues. Historical reenactment
societies stage history’s great battles, from the
Roman legions’ to the Wehrmacht’s. Barnes and Noble
and Borders bookstores boast well-stocked military
history sections, with scores of new titles every
month. A plethora of websites obsess over strategy
and tactics. Hit video games grow ever more
realistic in their reconstructions of battles.
The public may feel drawn to
military history because it wants to learn about
honor and sacrifice, or because of interest in
technology—the muzzle velocity of a Tiger Tank’s
88mm cannon, for instance—or because of a
pathological need to experience violence, if only
vicariously. The importance—and challenge—of the
academic study of war is to elevate that popular
enthusiasm into a more capacious and serious
understanding, one that seeks answers to such
questions as: Why do wars break out? How do they
end? Why do the winners win and the losers lose? How
best to avoid wars or contain their worst effects?
A wartime public illiterate about the conflicts of the past can
easily find itself paralyzed in the acrimony of the
present. Without standards of historical comparison,
it will prove ill equipped to make informed
judgments. Neither our politicians nor most of our
citizens seem to recall the incompetence and
terrible decisions that, in December 1777, December
1941, and November 1950, led to massive American
casualties and, for a time, public despair. So it’s
no surprise that today so many seem to think that
the violence in Iraq is unprecedented in our
history. Roughly 3,000 combat dead in Iraq in some
four years of fighting is, of course, a terrible
thing. And it has provoked national outrage to the
point of considering withdrawal and defeat, as we
still bicker over up-armored Humvees and proper
troop levels. But a previous generation considered
Okinawa a stunning American victory, and prepared to
follow it with an invasion of the Japanese mainland
itself—despite losing, in a little over two months,
four times as many Americans as we have lost in
Iraq, casualties of faulty intelligence, poor
generalship, and suicidal head-on assaults against
fortified positions.
It’s not that military history
offers cookie-cutter comparisons with the past.
Germany’s World War I victory over Russia in under
three years and her failure to take France in four
apparently misled Hitler into thinking that he could
overrun the Soviets in three or four weeks—after
all, he had brought down historically tougher France
in just six. Similarly, the conquest of the Taliban
in eight weeks in 2001, followed by the
establishment of constitutional government within a
year in Kabul, did not mean that the similarly easy
removal of Saddam Hussein in three weeks in 2003
would ensure a working Iraqi democracy within six
months. The differences between the
countries—cultural, political, geographical, and
economic—were too great.
Instead, knowledge of past wars
establishes wide parameters of what to expect from
new ones. Themes, emotions, and rhetoric remain
constant over the centuries, and thus generally
predictable. Athens’s disastrous expedition in 415
BC against Sicily, the
largest democracy in the Greek world, may not
prefigure our war in Iraq. But the story of the
Sicilian calamity does instruct us on how consensual
societies can clamor for war—yet soon become
disheartened and predicate their support on the
perceived pulse of the battlefield.
Military history teaches us, contrary to popular belief these
days, that wars aren’t necessarily the most costly
of human calamities. The first Gulf War took few
lives in getting Saddam out of Kuwait; doing nothing
in Rwanda allowed savage gangs and militias to
murder hundreds of thousands with impunity. Hitler,
Mao, Pol Pot, and Stalin killed far more off the
battlefield than on it. The 1918 Spanish flu
epidemic brought down more people than World War I
did. And more Americans—over 3.2 million—lost their
lives driving over the last 90 years than died in
combat in this nation’s 231-year history. Perhaps
what bothers us about wars, though, isn’t just their
horrific lethality but also that people choose to
wage them—which makes them seem avoidable, unlike a
flu virus or a car wreck, and their tolls unduly
grievous. Yet military history also reminds us that
war sometimes has an eerie utility: as British
strategist Basil H. Liddell Hart put it, “War is
always a matter of doing evil in the hope that good
may come of it.” Wars—or threats of wars—put an end
to chattel slavery, Nazism, fascism, Japanese
militarism, and Soviet Communism.
Military history is as often the
story of appeasement as of warmongering. The
destructive military careers of Alexander the Great,
Caesar, Napoleon, and Hitler would all have ended
early had any of their numerous enemies united when
the odds favored them. Western air power stopped
Slobodan Milošević’s reign of terror at little cost
to NATO forces—but only after a near-decade of
inaction and dialogue had made possible the
slaughter of tens of thousands. Affluent Western
societies have often proved reluctant to use force
to prevent greater future violence. “War is an ugly
thing, but not the ugliest of things,” observed the
British philosopher John Stuart Mill. “The decayed
and degraded state of moral and patriotic feeling
which thinks that nothing is worth war is much
worse.”
Indeed, by ignoring history, the
modern age is free to interpret war as a failure of
communication, of diplomacy, of talking—as if
aggressors don’t know exactly what they’re doing.
Speaker of the House Nancy Pelosi, frustrated by the
Bush administration’s intransigence in the War on
Terror, flew to Syria, hoping to persuade President
Assad to stop funding terror in the Middle East. She
assumed that Assad’s belligerence resulted from our
aloofness and arrogance rather than from his
dictatorship’s interest in destroying democracy in
Lebanon and Iraq, before such contagious freedom
might in fact destroy him. For a therapeutically
inclined generation raised on Oprah and Dr. Phil—and
not on the letters of William Tecumseh Sherman and
William Shirer’s Berlin Diary—problems
between states, like those in our personal lives,
should be argued about by equally civilized and
peaceful rivals, and so solved without resorting to
violence.
Yet it’s hard to find many wars
that result from miscommunication. Far more often
they break out because of malevolent intent and the
absence of deterrence. Margaret Atwood also wrote in
her poem: “Wars happen because the ones who start
them / think they can win.” Hitler did; so did
Mussolini and Tojo—and their assumptions were
logical, given the relative disarmament of the
Western democracies at the time. Bin Laden attacked
on September 11 not because there was a dearth of
American diplomats willing to dialogue with him in
the Hindu Kush. Instead, he recognized that a series
of Islamic terrorist assaults against U.S. interests
over two decades had met with no meaningful
reprisals, and concluded that decadent Westerners
would never fight, whatever the provocation—or that,
if we did, we would withdraw as we had from
Mogadishu.
In the twenty-first century, it’s easier than ever to succumb to
technological determinism, the idea that science,
new weaponry, and globalization have altered the
very rules of war. But military history teaches us
that our ability to strike a single individual from
30,000 feet up with a GPS bomb or a jihadist’s
efforts to have his propaganda beamed to millions in
real time do not necessarily transform the
conditions that determine who wins and who loses
wars.
True, instant communications may
compress decision making, and generals must be
skilled at news conferences that can now influence
the views of millions worldwide. Yet these are
really just new wrinkles on the old face of war. The
improvised explosive device versus the up-armored
Humvee is simply an updated take on the catapult
versus the stone wall or the harquebus versus the
mailed knight. The long history of war suggests no
static primacy of the defensive or the offensive, or
of one sort of weapon over the other, but just
temporary advantages gained by particular strategies
and technologies that go unanswered for a time by
less adept adversaries.
So it’s highly doubtful, the study
of war tells us, that a new weapon will emerge from
the Pentagon or anywhere else that will change the
very nature of armed conflict—unless some sort of
genetic engineering so alters man’s brain chemistry
that he begins to act in unprecedented ways. We
fought the 1991 Gulf War with dazzling,
computer-enhanced weaponry. But lost in the
technological pizzazz was the basic wisdom that we
need to fight wars with political objectives in mind
and that, to conclude them decisively, we must
defeat and even humiliate our enemies, so that they
agree to abandon their prewar behavior. For some
reason, no American general or diplomat seemed to
understand that crucial point 16 years ago, with the
result that, on the cessation of hostilities, Saddam
Hussein’s supposedly defeated generals used their
gunships to butcher Kurds and Shiites while
Americans looked on. And because we never achieved
the war’s proper aim—ensuring that Iraq would not
use its petro-wealth to destroy the peace of the
region—we have had to fight a second war of no-fly
zones, and then a third war to remove Saddam, and
now a fourth war, of counterinsurgency, to protect
the fledgling Iraqi democracy.
Military history reminds us of important anomalies and paradoxes.
When Sparta invaded Attica in the first spring of
the Peloponnesian war, Thucydides recounts, it
expected the Athenians to surrender after a few
short seasons of ravaging. They didn’t—but a plague
that broke out unexpectedly did more damage than
thousands of Spartan ravagers did. Twenty-seven
years later, a maritime Athens lost the war at sea
to Sparta, an insular land power that started the
conflict with scarcely a navy. The 2003 removal of
Saddam refuted doom-and-gloom critics who predicted
thousands of deaths and millions of refugees, just
as the subsequent messy four-year reconstruction
hasn’t evolved as anticipated into a quiet, stable
democracy—to say the least.
The size of armies doesn’t
guarantee battlefield success: the victors at
Salamis, Issos, Mexico City, and Lepanto were all
outnumbered. War’s most savage moments—the Allied
summer offensive of 1918, the Russian siege of
Berlin in the spring of 1945, the Battle of the
Bulge, Hiroshima—often unfold right before
hostilities cease. And democratic leaders during
war—think of Winston Churchill, Harry Truman, and
Richard Nixon—often leave office either disgraced or
unpopular.
It would be reassuring to think
that the righteousness of a cause, or the bravery of
an army, or the nobility of a sacrifice ensures
public support for war. But military history shows
that far more often the perception of winning
is what matters. Citizens turn abruptly on any
leaders deemed culpable for losing. “Public
sentiment is everything,” wrote Abraham Lincoln.
“With public sentiment nothing can fail. Without it
nothing can succeed. He who molds opinion is greater
than he who enacts laws.” Lincoln knew that lesson
well. Gettysburg and Vicksburg were brilliant Union
victories that by summer 1863 had restored Lincoln’s
previously shaky credibility. But a year later,
after the Wilderness, Spotsylvania, Petersburg, and
Cold Harbor battles—Cold Harbor claimed 7,000 Union
lives in 20 minutes—the public reviled him. Neither
Lincoln nor his policies had changed, but the
Confederate ability to kill large numbers of Union
soldiers had.
Ultimately, public opinion follows
the ups and downs—including the perception of the
ups and downs—of the battlefield, since victory
excites the most ardent pacifist and defeat silences
the most zealous zealot. After the defeat of France,
the losses to Bomber Command, the U-boat rampage,
and the fall of Greece, Singapore, and Dunkirk,
Churchill took the blame for a war as seemingly lost
as, a little later, it seemed won by the brilliant
prime minister after victories in North Africa,
Sicily, and Normandy. When the successful military
action against Saddam Hussein ended in April 2003,
over 70 percent of the American people backed it,
with politicians and pundits alike elbowing each
other aside to take credit for their prescient
support. Four years of insurgency later, Americans
oppose a now-orphaned war by the same margin.
General George S. Patton may have been uncouth, but
he wasn’t wrong when he bellowed, “Americans love a
winner and will not tolerate a loser.” The American
public turned on the Iraq War not because of Cindy
Sheehan or Michael Moore but because it felt that
the battlefield news had turned uniformly bad and
that the price in American lives and treasure for
ensuring Iraqi reform was too dear.
Finally, military history has the
moral purpose of educating us about past sacrifices
that have secured our present freedom and security.
If we know nothing of Shiloh, Belleau Wood, Tarawa,
and Chosun, the crosses in our military cemeteries
are just pleasant white stones on lush green lawns.
They no longer serve as reminders that thousands
endured pain and hardship for our right to listen to
what we wish on our iPods and to shop at Wal-Mart in
safety—or that they expected future generations,
links in this great chain of obligation, to do the
same for those not yet born. The United States was
born through war, reunited by war, and saved from
destruction by war. No future generation, however
comfortable and affluent, should escape that
terrible knowledge.
What, then, can we do to restore the study of war to its proper
place in the life of the American mind? The
challenge isn’t just to reform the graduate schools
or the professoriate, though that would help. On a
deeper level, we need to reexamine the larger forces
that have devalued the very idea of military
history—of war itself. We must abandon the naive
faith that with enough money, education, or good
intentions we can change the nature of mankind so
that conflict, as if by fiat, becomes a thing of the
past. In the end, the study of war reminds us that
we will never be gods. We will always just be men,
it tells us. Some men will always prefer war to
peace; and other men, we who have learned from the
past, have a moral obligation to stop them.
Studying War: Where to Start
While Thucydides’
Peloponnesian War, a chronicle of the
three-decade war between Athens and Sparta,
establishes the genre of military history, the
best place to begin studying war is with the
soldiers’ stories themselves. E. B. Sledge’s
memoir of Okinawa, With the Old Breed, is
nightmarish, but it reminds us that war, while
it often translates to rot, filth, and carnage,
can also be in the service of a noble cause.
Elmer Bendiner’s tragic retelling of the
annihilation of B-17s over Germany, The Fall
of Fortresses: A Personal Account of the Most
Daring, and Deadly, American Air Battles of
World War II, is an unrecognized classic.
From a different wartime
perspective—that of the generals—U. S. Grant’s
Personal Memoirs is justly celebrated as
a model of prose. Yet the nearly contemporaneous
Memoirs of General W. T. Sherman is far
more analytical in its dissection of the human
follies and pretensions that lead to war.
Likewise, George S. Patton’s War As I Knew It
is not only a compilation of the eccentric
general’s diary entries but also a candid
assessment of human nature itself.
Fiction often captures the
experience of war as effectively as memoir,
beginning with Homer’s Iliad, in which Achilles
confronts the paradox that rewards do not always
go to the most deserving in war. The three most
famous novels about the futility of conflict are
The Red Badge of Courage, by Stephen
Crane, All Quiet on the Western Front, by
Erich Maria Remarque, and August 1914, by
Aleksandr Solzhenitsyn. No work has better
insights on the folly of war, however, than
Euripides’ Trojan Women.
Although many contemporary
critics find it passé to document landmark
battles in history, one can find a storehouse of
information in The Fifteen Decisive Battles
of the World, by Edward S. Creasy, and A
Military History of the Western World, by J.
F. C. Fuller. Hans Delbrück’s History of the
Art of War and Russell F. Weigley’s The
Age of Battles center their sweeping
histories on decisive engagements, using battles
like Marathon and Waterloo as tools to
illustrate larger social, political, and
cultural values. A sense of high drama permeates
William H. Prescott’s History of the Conquest
of Mexico and History of the Conquest of
Peru, while tragedy more often characterizes
Steven Runciman’s spellbinding short account
The Fall of Constantinople 1453 and Donald
Morris’s massive The Washing of the Spears,
about the rise and fall of the Zulu Empire. The
most comprehensive and accessible one-volume
treatment of history’s most destructive war
remains Gerhard L. Weinberg’s A World at
Arms: A Global History of World War II.
Relevant histories for our
current struggle with Middle East terrorism are
Alistair Horne’s superb A Savage War of
Peace: Algeria 1954–1962, Michael Oren’s
Six Days of War, and Mark Bowden’s Black
Hawk Down. Anything John Keegan writes is
worth reading; The Face of Battle remains
the most impressive general military history of
the last 50 years.
Biography too often winds up
ignored in the study of war. Plutarch’s lives of
Pericles, Alcibiades, Julius Caesar, Pompey, and
Alexander the Great established the traditional
view of these great captains as men of action,
while weighing their record of near-superhuman
achievement against their megalomania. Elizabeth
Longford’s Wellington is a classic study
of England’s greatest soldier. Lee’s
Lieutenants: A Study in Command, by Douglas
Southall Freeman, has been slighted recently but
is spellbinding.
If, as Carl von Clausewitz
believed, “War is the continuation of politics
by other means,” then study of civilian wartime
leadership is critical. The classic scholarly
account of the proper relationship between the
military and its overseers is still Samuel P.
Huntington’s The Soldier and the State: The
Theory and Politics of Civil-Military Relations.
For a contemporary J’accuse of American
military leadership during the Vietnam War, see
H. R. McMaster’s Dereliction of Duty: Lyndon
Johnson, Robert McNamara, the Joint Chiefs of
Staff, and the Lies That Led to Vietnam.
Eliot A. Cohen’s Supreme
Command: Soldiers, Statesmen, and Leadership in
Wartime is purportedly a favorite read of
President Bush’s. It argues that successful
leaders like Ben-Gurion, Churchill, Clemenceau,
and Lincoln kept a tight rein on their generals
and never confused officers’ esoteric military
expertise with either political sense or
strategic resolution.
In The Mask of Command,
Keegan examines the military competence of
Alexander the Great, Wellington, Grant, and
Hitler, and comes down on the side of the two
who fought under consensual government. In
The Soul of Battle, I took that argument
further and suggested that three of the most
audacious generals—Epaminondas, Sherman, and
Patton—were also keen political thinkers, with
strategic insight into what made their
democratic armies so formidable.
How politicians lose wars is
also of interest. See especially Ian Kershaw’s
biography Hitler, 1936–1945: Nemesis.
Mark Moyar’s first volume of a proposed
two-volume reexamination of Vietnam, Triumph
Forsaken: The Vietnam War, 1954–1965, is
akin to reading Euripides’ tales of
self-inflicted woe and missed chances. Horne has
written a half-dozen classics, none more
engrossing than his tragic To Lose a Battle:
France 1940.
Few historians can weave
military narrative into the contemporary
political and cultural landscape. James
McPherson’s Battle Cry of Freedom does,
and his volume began the recent renaissance of
Civil War history. Barbara Tuchman’s The Guns
of August describes the first month of World
War I in riveting but excruciatingly sad detail.
Two volumes by David McCullough, Truman
and 1776, give fascinating inside
accounts of the political will necessary to
continue wars amid domestic depression and bad
news from the front. So does Martin Gilbert’s
Winston S. Churchill: Finest Hour, 1939–1941.
Donald Kagan’s On the Origins of War and the
Preservation of Peace warns against the
dangers of appeasement, especially the lethal
combination of tough rhetoric with no military
preparedness, in a survey of wars from ancient
Greece to the Cuban missile crisis. Robert
Kagan’s Dangerous Nation reminds
Americans that their idealism (if not
self-righteousness) is nothing new but rather
helps explain more than two centuries of both
wise and ill-considered intervention abroad.
Any survey on military history
should conclude with more abstract lessons about
war. Principles of War by Clausewitz
remains the cornerstone of the science. Niccolò
Machiavelli’s The Art of War blends
realism with classical military detail. Two
indispensable works, War: Ends and Means,
by Angelo Codevilla and Paul Seabury, and
Makers of Modern Strategy, edited by Peter
Paret, provide refreshingly honest accounts of
the timeless rules and nature of war.
—Victor Davis Hanson